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I involve the practices
of sculpture, drawing, painting, and performance to create objects, images and
spatially enveloping installations to comment on the relationships between psychology
and created environments. Be it physical, perceived or symbolic, these
relationships—or, the discordant interface that arises from action and thought—act
as my starting point. The works themselves, portraying themes and materials of opposing
value, hash out my responses to self-analysis and the contradictions implicit
in structured belief and social systems. Exploring a range of visual styles,
from assemblages of found materials and fabricated forms to simple line
drawings, my work articulates questions, narratives, patterns, and/or propositions
that become elements in a continuum rather than attempts at conclusive resolution.
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